Ja Rule has some friendly advice for his fellow rapper DMX.
Weeks ago DMX (who’s been arrested 25 times), appeared on Dr. Phil and revealed that he has 11 kids by six different women, and 1 more on the way. The “Party Up” rapper also confessed to owing over $1.2 million in overdue child support.
During an interview promoting his new film, I’m in Love with a Church Girl, Ja weighed in on DMX’s downward spiral.
“I love X, we got a great history. We came up together in this business. It’s kind of sad to watch my homie go through what he’s going through.”
“This is America. We love to see people bounce back. We love that comeback story. I don’t think it’s far off for X to come back and do something significant, and people to love him again. I think he just needs to maybe seek God. It has to be something drastic that changes the way he lives and the way he goes about his everyday life style. Hopefully he’ll realize that what he’s doing is destructive.”
Maxine Powell, who was responsible for developing the charm, grace and style of Motown Records’ artists during the Detroit label’s 1960s heyday, died Monday at age 98.
Motown Historical Museum CEO Allen Rawls said Powell died of natural causes at a hospital in Southfield, Mich.
She didn’t sing or write songs, but those associated with Motown say Powell was as essential to the label’s operations as any performer or producer.
She directed the label’s Artists Development Department, also known as “Motown’s Finishing School.” Through it, she emphasized to many artists – including Smokey Robinson and the Miracles, the Jackson Five and the Supremes – how they should carry themselves, treat people and dress.
Motown founder Berry Gordy said the training school was the only one of its kind offered at any record label.
Powell’s passing comes less than two months after she was honored at the museum by Robinson and others.
“She was such an important, integral part of what we were doing here at Motown,” Robinson said at the Aug. 26 event held at the famed Hitsville, U.S.A, building.
“It didn’t matter who you became during the course of your career – how many hits you had, how well your name was known around the world,” he said. “Two days a week when you were back in Detroit you had to go to artists’ development. It was mandatory.”
I was just a teenager the last time The Arsenio Hall show was on television. The show was synonymous with must see entertainment and I, like many others, did my best not to miss it.
There was a life, a passion, an almost cult like euphoria from the studio audience that was shared by the host and in turn, was transmitted to the rest of the country. The Arsenio Hall Show was what was happening and every one knew it. So when Arsenio got a second shot at bringing show back to television 19 years later, I was happy, filled with anticipation!
I don’t know what I expected. I knew everyone was older, but I thought the producers of the show will try their best to regain some of the magic of the first go around. The setup seemed the same, but on a much smaller scale and that’s where my disappointment began.
I sorta had a vision before last night’s debut. Yes, it was 19 years later, but I envisioned Arsenio walking out to the same screaming euphoric audience, on a stage that looked bigger than life, with a band like no other and a dog pound section yelling the trademark ruff, ruff ruff! And in my mind’s eye. I saw Mr Hall greeting the audience, telling his usual hilarious montage and moving right into the show… like nothing ever happened… like he was doing the show last week… last month, last year… for the last 19 years.
Instead, Arsenio walked out on a scaled down stage, to the music of a subpar band, to the cheers of an old audience. And he spent too much time reminding us all that he was gone, kinda like he was making excuses for an already average first show.
Then he brought out Paula Abdul, Chris Tucker and Snoop Dogg. Great performers, but not the audience booster the audience clearly needed.
Maybe Geritol would have helped.
Again, I know people get old, but a younger more enthusiastic audience could have made the world of a difference in last night’s debut.
Let’s hope his future shows return to the same platform we have all come to expect from The Arsenio Hall Show.
Everyone was talking about the NSYN reunion at yesterday’s VMAs in New York. Seems the anticipation for some folks was palpable, as my phone rang constantly with OMG texts and I can’t wait Facebook messages.
I personally did not watch the VMAs. I couldn’t find a reason to, so needless to say, I missed the big reunion. But based on the buzz in the morning’s news, it seems NSYNC was just a minor storyline and I’m left wondering if they even performed.
From what I’m seeing, the real story of the VMAs was the Miley Cyrus performance. And based on the expression on the faces of Will Smith and his family, I’ll say Miley’s performance was something to see… or not.
The list of unanswered questions for Sunday’s MTV VMAs is growing. Will Lady Gaga’s Jeff Koons’ references be lost amid the nudity? How many dancers can Miley Cryus get to twerk at once? How will Kanye West attempt to offend someone?
Here’s one to add to the list: Will Justin Timberlake reunite with the boy band that made him famous, ‘NSync?
Reports out of New York — namely the New York Post — are indicating that Timberlake will indeed appear with his former bandmates. If true, the sudden reunion wouldn’t be entirely out of place at the VMAs, as Timberlake is set to receive the retrospective Michael Jackson Video Vanguard Award.
’90s R&B figurehead Toni Braxton is ending her musical hiatus with the release of a collaborative album, Love, Marriage And Divorce, on 3rd Decemberwith fellow genre-pioneer Babyface and as a taster of the relationship-themed record to come, one of the album cuts, “Hurt You”, has hit the net.
A lawsuit was filed Thursday in California federal court by Ribin Thicke, Pharrell Williams and Clifford Harris against Marvin Gaye’s family and the owner of some of Gaye’s compositions, Bridgeport Music.
The purpose of the suit is to protect Thicke’s Summer hit Blurred Lines. At issue are complaints about similarities between “Blurred Lines” and at least two songs.
According to the suit, a copy of which was obtained by The Hollywood Reporter, “Plaintiffs, who have the utmost respect for and admiration of Marvin Gaye, Funkadelic and their musical legacies, reluctantly file this action in the face of multiple adverse claims from alleged successors in interest to those artists. Defendants continue to insist that plaintiffs’ massively successful composition, ‘Blurred Lines,’ copies ‘their’ compositions
The suit claims the Gaye family is alleging that “Blurred Lines” and Gaye’s “Got to Give It Up” “feel” or “sound” the same, and that the “Gaye defendants are claiming ownership of an entire genre, as opposed to a specific work.”
As for Funkadelic, there’s said to be claimed similarity between Thicke’s hit and Funakedlic’s “Sexy Ways.”
“But there are no similarities between plaintiffs’ composition and those the claimants allege they own, other than commonplace musical elements,” states the lawsuit. “Plaintiffs created a hit and did it without copying anyone else’s composition.”
A New York TImes critic has noted that “Blurred Lines” is “influenced heavily” by Gaye’s “Got to Give It Up,” but the lawsuit makes the point that “being reminiscent of a ‘sound’ is not copyright infringement. The intent in producing ‘Blurred Lines’ was to evoke an era.”
The Gayes and Bridgeport are said to be threatening litigation should the plaintiffs not pay a monetary settlement. Rather than wait for such a lawsuit to proceed, the plaintiffs are going to court to determine the parties’ respective rights and obligations.
He pioneered the funk and R&B genres during his career of more than four decades.
Jazz musician George Duke died Monday in Los Angeles at age 67.
A pioneer in the funk and R&B genres, he had been battling chronic lymphocytic leukemia, according to his label Concord Music Group, which confirmed his death.
“The outpouring of love and support that we have received from my father’s friends, fans and the entire music community has been overwhelming,” said his son, Rashid Duke, in a statement. “Thank you all for your concern, prayers and support.”
Born in San Rafael, Calif., Duke aspired to a music career from an early age, after his mother took him to a Duke Ellington concert.
Was it a stunt? The internationally known DJ Khaleb used the far reaching powers of MTV to make an offer to Nicki Minaj he hoped she wouldn’t refuse – a proposal! Khaleb explains in the video posted below that he used this venue to make his proposal because he wanted her fans to know and family, along with his fans and family to know about his love for Nicki.
After brandishing a massive ring, the video ends with asking Nicki for her response. Well she’s responded, with a restraining order against Khaleb!
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