One of my Facebook friends shared this video on his profile and I felt the need to share it here, with all of you. Trust me, you’ll thank me for this one.
Enjoy!
In a Facebook post, Jeffery Eaton, the band’s lyricist wrote that he simply could not stand by and watch the unfolding in Ferguson Missouri, where an unarmed 18-year-old was murdered by a police officer.
In the post, Jeffery wrote;
I’ve been glued to twitter and live streams of Ferguson since last Saturday Night when unarmed 18 year old Mike Brown was shot to death by a police officer. All week I have been hesitant to speak, trying to wrap my mind around the complexities of it all while watching the demonstrations, protests and clashes with police. Now it’s 4 am on Saturday Night and I can’t sleep because all I can do is think about it. I realize I will never have the perfect words so for now, I will let them spill out and explain why I must.
I have no specific authority to speak on the subject, but I’ve been writing lyrics about life in this country for over a decade now. I view it as a conversation from the perspective of an angry American with other angry Americans. Ferguson must be a part of that conversation because it’s so important and happening so close to home. I am only speaking to encourage us all to look at our lives and the world around us honestly and to go much deeper than the mass media or advertising world had planned for us. I only want for each of us to claim the dignity that we deserve.
So what can I say about it? At the very least I can say that I don’t condone murder, especially when committed by a person hired to serve and protect us and paid by for by our tax dollars. I can say that the burning anger in Ferguson goes far beyond looting and random violence. This is not a temper tantrum or an excuse. This is a symptom of the disease. I think the people out on the streets in Ferguson are fed up. I think they are tired of being marginalized and pushed down. They are mourning the death of this young man, and are also very aware that his death has come to symbolize the disease. America is sick and we are angry. We want to be proud Americans, but we live under a shadow of shame. We don’t want our names on the bombs that burn the bodies of innocent people in the Middle East, but we know they are. We know we are not the world and we don’t want to be. Our America is our beautiful American music and the collective kind hardworking and independent spirit of the majority of our citizens. We know that no life is more valuable than another no matter where we were born or what color our skin is. Our leaders are not properly representing us and they do not have our best interests in mind. The endless war has not been justified to us and does not represent us. We feel more threatened than protected by the police. We are hostages to the dream. Our dignity, compassion and intelligence is being mocked by the actions of those in power.
Strong work ethic will hopefully result in a simple humble life. Striving for the security of the upper class may mean falling short and drowning in debt. Greed may give you your dream home and a luxury car, it will certainly give you Ferguson, Missouri and Flint, Michigan. No matter what side of which argument you identify with, you must admit that there must be winners and losers in the game we play in this country. There is not enough room for us all in the upper class. If there was there would be no one to keep the castles clean. Whether by choice, circumstance or failure, we find ourselves at the bottom of the dream.
And the questions… So who are these people? Am I really one of them? Have we done it to ourselves? Should we all put our heads down and shut our mouths, work harder to make more money to insulate our lives from the poor neighborhoods and the anger and struggle that exists within them? Should we focus on a handful of looters and ignore the justified anger? Should we ignore the disease? Should we be scared to speak because we are not experts on capitalism, law enforcement, health car and international politics? Does this country belong to us? Does the world belong to us? Do our lives belong to us? Should I expect to be mocked for identifying more closely with the angry people in the streets of Ferguson than with the silent sinking middle class? Should we hope that last night was the last night in the streets? Should the people go home and get back to work before catching the attention of the entire nation and the entire world? Is it worth it?
Most of us would prefer to sweep these confounding problems aside and keep enjoying the ride, but it’s becoming more and more clear than we need to stop and change directions. Netflix and alcohol are not enough to keep our minds off it and now it’s past 5 am on Sunday Morning and the sun is coming up on my humble street in Kansas City. I don’t want to deal with it but I know that I am a heartless coward if I do not face it, so I let the words spill out. This won’t be posted till I get some sleep and give myself a chance to remain silent and do my part in maintaining the status quo. America, we’ve been going the wrong way for a long time. Ferguson slammed on the brakes, howled and bit back when Mike Brown was brutally murdered last week. Monday morning did not mean getting back to the grind and the next Saturday Night was not about having a beer and a laugh. Each moment since his life ended has been about problems that can no longer be ignored. #Ferguson #mikebrown
Having put out more than 10 albums in 20 years, JOE has become one of R&B’s most accomplished and popular singers with seven Grammy nods along the span of his career. Singles such as “All The Things (Your Man Won’t Do),” “All That I Am,” “No One Comes Close” and “I Wanna Know” established Joe as a bona fide hit-maker who has sold more than 15 million albums worldwide. Moreover, his work with Mariah Carey (“Thank God I Found You”), Big Pun (“Still Not A Player”) and G-Unit (“Wanna Get To Know You”), shows that Joe is a much sought-after collaborator with some of music’s biggest and best artists. Joe’s most recent offering, Double Back: Evolution of R&B, debuted as the #1 R&B album in the country on Billboard’s “R&B Albums” & #4 “Top 200” charts this past summer. With that success, Double Back has produced a top five single with its first release “I’d Rather Have A Love”. With a new label deal in place PLAID TAKEOVER/BMG CHRYSALIS and new management, with veteran music executive Gerald “Plaid” Isaac, JOE is already gearing up for a successful 2014. The top-selling R&B singer is currently in the studio putting together magnificent songs in preparation for his new commercial album 2014, summer release entitled “BRIDGES”. The lead single & video, “Love & Sex Pt. 2,” features the incredible and equally beautiful Kelly Rowland of X-FACTOR/Destiny’s Child fame and is currently impacting radio and TV heavily. In support of his new release(s) JOE will be touring the US, Europe, Asia and abroad.
The sad news of Robin Williams apparent suicide at the age of 63 is still settling in. As we fondly remember the movie moments the comedian gave us, others are looking back on how he personally touched their lives. For his part, The Roots’ drummer Questlove posted an Instagram of Mork and Mindy-era Williams and shared his story about the band meeting the actor on one fateful elevator ride. Read his full statement below:
Man. The smallest gesture can mean the world to you. Robin Williams made such an impact on me and didn’t even know it. He named checked all of us in the elevator during the 2001 Grammys. I know y’all think I do this false modesty/T Swift “gee shucks” thing to the hilt. But yeah sometimes when you put 20 hour days in you do think it’s for naught and that it goes thankless. Grammy time is somewhat of a dark time simply because you just walk around asking yourself is it worth it or not: all the sweat and blood. I just felt like (despite winning grammy the year before) no one really cares all that much for us except for a select few. Especially in that environment I’m which people treat you like minions until they discover what you can do for them…if you’re not a strong character you run the risk of letting it get to you.
This particular Sunday we were walking backstage and had to ride the elevator to the backstage area and we piled inside when suddenly this voice just said “questlove…..black thought….rahzel….the roots from Philadelphia!!!! That’s right you walked on this elevator saying to yourself “ain’t no way this old white dude knows my entire history and discography”….we laughed so hard. That NEVER happened to is before. Someone a legend acknowledged us and really knew who we were (his son put him on to us) man it was a small 2 min moment in real life but that meant the world to me at the time. Everytime I saw him afterwards he tried to top his trivia knowledge on all things Roots associated. Simply because he knew that meant everything to me. May his family find peace at this sad time. I will miss Robin Williams. #RIP.”
Williams was found by police early Monday morning in his Tiburon, California home. An initial coroner’s report notes suicide as the suspected cause.
Bobby Womack, the legendary soul singer whose career spanned seven decades, died Friday at age 70. A representative for Womack’s label XL Recordings confirmed the singer has died to Rolling Stone, but said the cause of death was currently unknown.
Bobby Womack Reaches Way Back for “Deep River”
The son of two musicians, Womack began his career as a member of Curtis Womack and the Womack Brothers with his siblings Curtis, Harry, Cecil and Friendly Jr. After Sam Cooke signed the group to his SAR Records in 1960, they released a handful of gospel singles before changing their name to the Valentinos and earning success with a more secular, soul- and pop-influenced sound. In 1964, one month after the Valentinos released their hit “It’s All Over Now,” the Rolling Stones put out their version, which went to Number One on the U.K. singles charts.
Three months after the death of Cooke in 1964, Womack married Cooke’s widow, Barbara Campbell, and the Valentinos disbanded after the collapse of SAR Records. After leaving the group, Womack became a session musician, playing guitar on several albums, including Aretha Franklin’s landmark Lady Soul, before releasing his debut album, Fly Me to the Moon, in 1968. A string of successful R&B albums would follow, including Understanding and Across 110th Street, both released in 1972, 1973’s Facts of Life and 1974’s Lookin for a Love Again.
After the death of his brother, Harry, in 1974, Womack’s career stalled, but was revived in 1981 with the R&B hit “If You Think You’re Lonely Now.” Throughout most of the Eighties, the singer struggled with drug addiction, eventually checking himself into a rehabilitation center for treatment. A series of health problems would follow, including diabetes, pneumonia, colon cancerand the early signs of Alzheimer’s disease, though it was unclear if any of these ailments contributed to his death. Womack was declared cancer-free in 2012.
In 2012, Womack began a career renaissance with the release of The Bravest Man in the Universe, his first album in more than 10 years. Produced by Damon Albarn and XL’s Richard Russell, the album made Rolling Stone’s 50 Best Albums of 2012 alongside numerous other critical accolades. “You know more at 65 than you did at 25. I understand the songs much better now,” Womack told Rolling Stone at the time. “It’s not about 14 Rolls Royces and two Bentleys. Even if this album never sells a nickel, I know I put my best foot forward.” Upon his death, Womack was in the process of recording his next album for XL, tentatively titled The Best Is Yet to Come and reportedly featuring contributions by Stevie Wonder, Rod Stewart and Snoop Dogg.
Womack was inducted into the Rock and Roll Hall of Fame in 2009. “My very first thought was — I wish I could call Sam Cooke and share this moment with him,” Womack said. “This is just about as exciting to me as being able to see Barack Obama become the first black President of the United States of America! It proves that, if you’re blessed to be able to wait on what’s important to you, a lot of things will change in life.”
Read more: http://www.rollingstone.com/music/news/bobby-womack-dead-at-70-20140627#ixzz35tYBuGe4
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According to TMZ, an irate Michael Jackson fan is suing his Estate because she thinks MJ was not the lead singer on 3 of his songs on the 2010 CD, “Michael” … the first release after his death.
The woman filed the suit today in L.A. claiming she bought the disc in 2011, but didn’t hear enough Michael on 3 particular tracks.
In the suit she claims she hired an audio expert to analyze her CD and he determined it was very likely that MJ did not sing lead vocals on “Breaking News” … “Monster” … and “Keep Your Head Up.”
The woman wants this to be a class action — meaning if the allegation is true the Estate would owe money to everyone who bought the full album, or any of the 3 tracks in question.
The Estate’s lawyer, Howard Weitzman, has previously said Michael did provide lead vocals for all the tracks on the album.